Arts & Culture
Women in Horror Cinema: ‘Screen Queens’ and changing representations
Horror cinema has always been an extremely nuanced genre of film in terms of its representation of female characters. Conventional gender roles and stereotypes permeate the genre with clichéd female archetypes such as the helpless victim and the sexually promiscuous woman. However, things are starting to be challenged.
Oatly Facing Boycotts Following Unsustainable Investment Links to Deforestation and Trump
Oatly has made headlines recently for accepting an investment from Blackstone, one of the largest private equity firms in the world, which has links to deforestation in the Amazon and the Trump administration. The case of Oatly raises the question – is it possible to be 100% sustainable within our current economic framework?
Review: ‘I Am Not Your Negro’ Will Make You Rethink Race
The British Army has a poor track record when it comes to women’s rights. With this in mind, it is clear why many were sceptical of Whitmore defending her collaboration with the army in the name of feminist discourse. While the British Army’s use of feminist language in their PR campaigns could be interpreted as a sign of progress, it is important to question the intentions behind this move and, most importantly, who benefits from it.
Miss Representation (2011) Reveals a Glaring Reality Still Relevant in 2020
The documentary film, Miss Representation, came out in 2011, yet it remains shockingly resonant today in 2020. The film exposes how mainstream media and culture contribute to the under-representation of women in positions of power and influence in America. As an American woman, Miss Representation strongly resonates with me, but its message is relevant to women and girls everywhere.
The Innocence Files Review
STAND News reviews the Netflix documentary series, The Innocence Files, a whodunnit with a cause. How does the series that covers the failures of the U.S. judicial system holdup?
‘Stop Filming Us’ – Questioning Neocolonialism through the Camera Lens
In Stop Filming Us (2020) Dutch filmmaker Joris Postema travels to the city of Goma in the northeast of the Democratic Republic of Congo, where numerous conflicts and even more Western aid organizations have been in the past 25 years. The problem is, sometimes these Westerners would rather define Goma and its people on their terms. Can Postema portray the Congolese reality without becoming part of the problem?
The Obsession with Activism in Acceptance Speeches
Many of us may agree that millionaire celebrities collecting awards from other millionaire celebrities may not be a group best placed to preach to the general public about issues such as climate change and human rights. It has now become a mainstay of almost every award show, with celebrities seeing this platform as a challenge to make the most impassioned speech of the night.
Merchant’s Quay Ireland launches “The Lived Experience of Addiction” Exhibition
Merchant’s Quay Ireland (MQI) has launched a new exhibition of photographs and stories by people with experience of addiction titled “The Lived Experience of Addiction”. Aiming to start a conversation about addiction and its surrounding stigma, the work created is personal, meaningful and unfortunately all too relatable for many.
UCDVO Development series: Review of Gaza, Push and For Sama
The 8th UCDVO Development Film Series is a yearly event which ran throughout January and February 2020. The series includes 5 high-quality feature documentary films on subjects relating to global justice and development issues.
Lack of Diversity Overshadows Another Award Season
For the last few years, award ceremonies have come under a huge amount of scrutiny for a lack of diversity in the talent which they choose to celebrate. Heading into a new decade it felt tempting to think that those behind some of the most prestigious awards in entertainment may have started to heed this calls for inclusion. Unfortunately, as the list of nominations came rolling in over the last month, we soon learnt that this was not going to be the case.